My work explores the dynamic relationship between destruction and regeneration, where acts of erasure and damage—such as using solvents or tearing into surfaces—become generative forces, opening up new possibilities for meaning, texture, and interpretation. Through the layering process, both physically with oil paint and metaphorically with history, I create a tension between what is concealed and revealed, inviting contemplation on time, memory, and the unseen forces shaping our understanding of the world. In my landscapes, I embody psychological and spiritual states, engaging with themes of trauma, healing, and the buried past, where the earth becomes a living, emotional entity connected to human experience. The ambiguity within my work—between the visible and the unseen, the natural and the mystical—invites the viewer to explore layers of history, belief, and identity, offering a space for spiritual and emotional excavation that deepens our connection to the past and the forces that shape our present.